Mirror, Mirror, On The Wall

Melaleuca Bowl

After one has sanded to 400-600 grit, be it a turned piece off the lathe or flat work, and then applied and lightly sanded the appropriate sealer it is time for the top coat.

No matter which finish you choose, the piece and the surrounding area must be dust free.  I avoid tack cloths due to the fact that some are impregnated with an additive that does a great job of removing dust but will also leave behind a residue that could affect the adherence of the finish.

It is a good idea to spray outside which is what I have always done, weather permitting of course.  It would be a shame to go through all the work of preparing the piece and then find little sprinkles of raindrops on the surface.  Also never spray in the direct sun.  This can cause the finish to dry too fast before it has a chance to adhere to the wood and little bubbles form.  I have, sometimes, forgotten that the earth moves around the sun and what was once shade has suddenly become sunlight, which can be especially problematic living in Florida.  It is a good idea to spray under a canopy or large umbrella.  After wiping down the piece and surrounding areas it is also a good idea to use compressed air to remove any dust that may have been left behind.

I set my projects on a large table which is imperative when spraying more than one piece.  Over-spray is the bane of my existence although it has a lot of company.  Almost all of the time, I raise the piece off the surface of the table with the appropriate lengths of angled sticks, such as pieces of wood corner bead.  This decreases the amount of contact with the underside.  This is especially important when turning the piece to spray the opposite side.  But try to use sticks that keep the item as close to the table top as possible or, once again, that dreaded over-spray will creep underneath and cause havoc (and more work).

When spraying pieces from approximately 4″ to 16″ or larger, I use a “Lazy Susan” type of platform so that I don’t have to walk around the piece to reposition to spray.  This way I merely turn the piece as needed while staying in the same place.  This is extremely helpful since the best finish will be obtained if the spray is applied to areas that are still tacky.  If one waits until the finish starts to dry, the spray will not level itself out and the result will be the same as over-spray.  This is especially true with lacquer which dries extremely fast.

If I spray a piece in the morning it has, in most cases, cured sufficiently to turn it in the afternoon.  But don’t try this with urethane.  One will end up with impressions of where the sticks supported the piece.

Before spraying, test your spray gun on a piece of scrap wood.  This will allow you to adjust the amount of air and material.  I generally set the regulator on the compressor at 55 p.s.i.  This stays within the guidelines of high volume/low pressure.  By experimenting first, one will also be able to adjust the spray pattern at the gun.  But practice makes perfect.  I cannot count the times I have used too much air, too much volume of material and/or the wrong spray pattern resulting in runs.

Speaking of runs, there are a couple of ways to deal with them.  Try to wet sand them out using 1500 grit wet or dry silicone carbide paper.  With this method, one must be extremely careful not to sand through to bare wood in the surrounding areas.  A small, flat piece of wood used as a sanding block is helpful here.  Depending oh the severity of the run this usually doesn’t work, which leads us to the second method which is to dry sand the entire area affected, removing all the finish down to bare wood.  Don’t forget to sand again to at least 400 grit and apply and sand the appropriate sealer again.

Once the sprayed-on finish is complete, flawless and totally cured, the fun part begins.  Materials that will be needed from this point forward are:

1.  Water.

2.  1500 grit wet or dry silicon carbide sand paper (sometimes referred to as Ultra-fine).

3.  Polishing compound. (There are more brands and types of this compound than there are tools in a tool catalog although that is one place you will find it.  Also, at your local automotive parts retail dealer.  It is not rubbing compound but it does have an abrasive; just much finer.)

4.  12,000 grit wet or dry polishing cloth.  (Ideally, there are products on the market, in any high inventory woodworking catalogs, that are graduated in these high grits each removing the scratches left behind by the previous grit until the final goal is reached.)

5.  A high quality micro-crystalline finishing and polishing wax.  (Do not scrimp on this.  There are, again, many waxes to choose from but get the best.  It is a bit pricey but one will save themselves a lot of aggravation and time by purchasing this superior wax in a little white can.)

One more word about the polishing compound and the polishing cloth.  For years I was using only the polishing compound until my friend across the street in the automotive business, asked me to try this cloth and I was amazed.  Then to go one step further, I used the compound following the cloth.  Now I can trim my mustache using that bowl.

There is one drawback with the polishing compound.  If the surface of the piece was not properly grain-filled and sealed, that white polishing compound will fill any and all imperfections leaving one with tiny white spots all over the piece in addition to a less than perfect gloss.

So, by now the reader has probably inferred without my help how to go about achieving the “Wet Look”.  Keep the ultra-fine wet so as not to clog and to get a finer scratch pattern.  At the end of this process the piece should have a matte finish.

Next comes the polishing cloth and/or the polishing compound.  Try the compound on a small area first.  After it dries, wipe off the residue to see if any compound was left behind.  If not, go for it.  If you find an area or two that retained the compound, flood the area with mineral oil and rub it out.  If you wax over the compound, I’m afraid you’ll have to start over.

By now you should be witness to a true transformation.  But wait, you haven’t even waxed it yet!

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Camphor Vase

If you are a gentleman reading this article, you know have another method to ensure your proper facial hygiene.  But if you are a lady you will, without a doubt, be pleased to learn who really is the fairest in the land.  – J.G. Lewis

(for some more of Jack’s handcrafted wood items, all from reclaimed native Florida logs, check out www.stores.ebay.com/the-heart-of-the-wood)

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Some People’s Junk Is Another’s Treasure

Heart of the Wood

“Joy On Waves” by Jack Lewis
handcrafted wood inlay treasure box

After scrawling out my last bit regarding grain fillers, sealers and how to avoid Catalyzing the Cat, or more specifically the types of top coats available, I realized this may be an appropriate time for a bit of comic relief.

As I mentioned before, my partner in crime (otherwise known as my wife, Deb) and I were, up until the last six months or so, frequenting the “Arts and Crafts” show circuits.  Looking back now on those few years it amazes me to think that we lasted so long in this pursuit.

Generally, but for maybe two or three shows, we lost money due to the overhead and lack of sales.  But we kept trying, constantly being egged on by well meaning folks who were complimenting our work and giving us well intentioned tips on how to improve our ten-by-ten foot space.  I swear, if we had a nickel for every “ooh” and “aah”, we would be lying on some beach in Tahiti sipping those tropical drinks with the little umbrellas stuck in them.  By the time the weekend was over, we were packing up the van and, quite exhausted, dragging ourselves home with empty pockets but with renewed high hopes.

But, although our traveling and hard work didn’t amount to much financially, we did have some laughs.  I can think back and laugh even now at a couple of instances that stand out.  One was actually at one of the first shows we did.  It was a beautiful day in a grassy park not too far from home, and it was well attended and, as I recall, we did actually have a couple of sales.

At the time, we still had a pen display and a few bowls and platters, etc.  We also had five of the jewelry/treasure chest boxes that were some of the first things I made when we began this pursuit.  These boxes were made from a collection of material such as reclaimed Walnut, Mahogany, Cherry and a few exotics (which, since that time, I have ceased to use).

These boxes were 12″ x 8″, and 6″ in depth.  They were made with dovetail spline corners, an assortment of inlaid figures such as dolphin, frigate birds, palm trees, etc. and were lined in blue velvet.  As I recall, we were pricing these pieces between $450 to $550.  So, needless to say, despite the “oohs” and “aahs”, they didn’t move very fast although anyone could tell that the amount of work involved in their fabrication was substantial. 

So the weekend progressed with lots of people browsing.  We were just kind of “people watching” when I noticed a woman approaching our booth who began perusing our display quite intently.  After picking up a few pieces to read the price tags, she approached our treasure box display.  She picked up our most expensive box and a look of amazement mixed with elation crossed her face.

She beckoned me and in a foreign accent and broken English, she asked if the price on the sticker was the true price.  After assuring her that it was in fact $550, she handed the piece to me and stated for me to, “Please, you put in the back and save me.  I need to go home and get more money but I will come soon.”  And she abruptly left.

Of course my wife and I were ecstatic.  We hadn’t made a sale of this magnitude up to now and couldn’t wait for her return.  Meanwhile, we were discussing how maybe she was from the royal line of a wealthy country and obviously must have loads of money judging from the gold necklace she was wearing.  And, soon she returned. 

She asked to see the box again so I retrieved it from its hiding place and showed it to her again, barely able to contain my excitement as we prepared to wrap the item for her.  As I turned around to ask if the sale would be cash or credit, she was leafing through her wallet and asked, “That was five-fifty, correct?”.  I answered in the affirmative and said, “Yes, five hundred and fifty dollars.”

As the color of her face began to turn different colors she said, “But the tag said $550″.  In all fairness, it was probably my fault for not including the decimal point but I honestly believed that anyone would understand that this treasure box must cost five hundred and fifty dollars.

I am not sure who was more disappointed, our potential customer as she returned her five dollar bill and two quarters to her purse or Deb and I as our excitement quickly faded.  But soon she was walking away and browsing other booths as if nothing had happened.

Heart of the Wood

Heart of the Wood Display Booth, 2011
“reclaimed wood, reborn trees”

Word soon got around to our neighboring booths and, for a long time after this tragic event occurred, at other shows we were known as the vendors whose “treasure” almost amounted to a whopping five-fifty.      

 

 

(for a quick peek at some more of Jack’s wood art, please check out http://www.heart-of-the-wood.artistwebsites.com.)

 

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Don’t Catalyze The Cat

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Lilly with one of her favorite bowls

In my experience in spraying lacquers there are three basic types.  There are probably more but I have not searched any further since I believe I have found the right one for my purposes.

Nitrocellulose lacquer or the traditional lacquer has been around for years.  It has an amber tone and is designed for use on decorative woodwork or other low durability applications where an economical finish is required.  Not recommended for furniture or where chemical & water resistance are required.

Conversion lacquer comes equipped with a small container of a catalyst that must be carefully measured and added to the amount of lacquer one plans to use on a particular day since it has a fairly short pot life.  This system creates a high build, water and chemical resistant finish.

I tried a gallon of this lacquer a few years ago and found that determining the proper proportion of catalyst was a real hassle.  Although the “sheen rating” of both of the pre-mentioned lacquers was “90″, which is the highest gloss rating available, the amber tone of the nitrocellulose and the bother of measuring and mixing the catalyst to the conversion lacquer led me to the “Precatalyzed Lacquer” which I have been using for some years now and am quite satisfied.

Precatalyzed lacquer, as the name implies, does not require additional hardeners and is water-clear, wet and dry.  It has a tough, durable finish resistant to water and mild household chemicals.

But I appear to be getting ahead of myself a bit.  When applying a finish to woodwork there are many methods and many products which require the artisan to sort through all this information and find that which works best for him/her.  This all takes time, so I hope that my thoughts on the subject helps to minimize one’s precious time.

Generally, I apply grain filler as the first step after sanding.  The next step is to apply te appropriate sealer.  This helps to lock in the grain filler and improve the overall durability and adhesion of the coating system.  Sealers are meant for spray application and I’ve found that an approximately 4:1 ratio of sealer to a high-quality lacquer thinner makes light sanding much easier.

I have tried brushing on sealers and applying them with a cloth with the lathe running.  Both of these methods went on too heavy and I was left with “Blisters on my fingers” as John Lenon aptly screamed.

So far in these ramblings we have covered the importance of properly prepped material and the necessity of a grain filler to insure the “Wet Look”.  We have discussed the importance of an appropriate sealer for better adhesion and durability of the top coat.

the princess, at rest

In the next installment we will delve into the application of the forementioned lacquer, wet sanding and the methods used to obtain that final goal.  (Actually, the final goal is to make a sale so if anyone out there has perfected that, we would love to hear from you.)

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Oh Sure, Anyone Can Spray Metal

functional fine wood art

Handcrafted Camphor Wood Platters & Bowl Set

After 30 yrs. in construction my back began to send me signals, some subtle and some not so much.  I began making jewelry/treasure boxes with contrasting material such as Walnut & Oak, Mahogany, etc., and they came out quite well.  But I needed a high-gloss finish that screamed out, “Come closer and look at me”.

I have an 80-year-old neighbor across the street who has long been retired from auto body work but still, every day he is out by his garage plying his trade.  He has mentioned to me many times that if he stopped staying busy doing what he knows and loves that he would surely be dead within a week (maybe an exaggeration but, maybe not).

Anyway, on this particular day as I was pondering my dilemma, I could hear my neighbor’s spray gun, with its incessant hiss as he was putting on his final coat of clear coat.  I’m sure you can surmise what happened next.

He suggested we try his automotive enamel on a scrap piece of wood.  So I brought over a piece of Oak and I am so pleased that was the species I chose.  Oak is an opened grain wood, as I am sure a lot of you are aware.  This means that the face of the material is covered with minute grooves.  Even though it may look smooth after sanding, all those tiny extended grooves are still there.  It is similar to a large bunch of small diameter straws that has been sliced at a sharp angle.

In order to get an absolutely smooth surface one must fill all those tiny holes in the grain with what is called, get this … grain filler.  Not to be confused with “wood filler” which is used to fill larger defects such as nail holes, etc.

There are many different brands and colors from neutral, approximately the shade of white oak, to walnut and mahogany which has a slight red tinge.  They all go on (according to the label) with a clean cloth generously and then, before it has a chance to dry, scraped off with a squeegee.  Also, the more you leave on, the more you’ll have to sand off – without sanding off too much or you’ll have to repeat the process.

There is also a water based, clear grain filler on the market for the times when you don’t want to add any color at all to the wood.  My experience with these fillers is that they need multiple coats to be effective.  Most grain fillers also act as sealers so you may be able to skip a step in some cases.  As a safety note, when sanding it would be a good idea to either wear a mask or have multiple fans aimed past your work and out the open garage door, as I have.

As for my neighbor, he is still grinding, sanding and spraying even as I write.  When it gets too quiet over there I’ll take a walk across the street.  Hope he makes a racket for a lot more years.

My neighbor plies his trade directly across the street from my workshop garage.

(you can see more photos of Jack’s Heart of the Wood at www.heart-of-the-wood.artistwebsites.com.)

 

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Achieving the “Wet” Look

Handcrafted Reclaimed Jacaranda Wood Bowl w/Lid

Handcrafted Reclaimed Jacaranda Wood Bowl w/Lid

After telling the story of the young lady who had unknowingly complimented me by asking if a piece I was working on was wet, I realized that there may be quite a few woodworkers who have had similar experiences. I also realized that there are probably thousands who have also traveled their own route on the road to that high-gloss finish. That being the case, I would be highly presumptuous (I love big words, even at the expense of their improper usage) to think that my methods are the best. And yet, they are, for me.

I will summarize my methods in order to, hopefully, help some who may be struggling because it really did take time, trial and error before I was happy with my final product. If at any time it appears I am stating the obvious, I apologize.

Obviously, the most important part of the entire process is the preparation. I use a disc sander, usually 2-inch diameter. There are many products on the market, but I find the new ceramic sanding discs far superior to anything I’ve used before. The sanding pads are attached to a 52-inch flex sander which, in turn, is connected to the first lathe I purchased. It has been promoted from a pen-turning midi-lathe (the practice of turning pens was interesting at first but I was soon bored to tears) to an extremely efficient sander.

I will generally sand in increments, without skipping any grits along the way, to 400. It is not necessary to go any finer since part of the end process will take you up to 1500 and higher.

I will generally start with 120 grit with the lathe running. This will show the more difficult areas that will require either power or hand sanding with the lathe off, being careful to avoid any dimples or undulations (another big word … love it!). If I have created some of these defects not all is lost.

With the lathe running at a relatively high speed, just below any serious vibration, wrap sand paper (or sanding cloth, which is even better) around a piece of firm styrofoam and lightly sand across these areas. The speed of the lathe will allow the abrasive to knock down the high spots while avoiding the valleys altogether.

Hand sanding with the lathe running will always produce concentric scratches, even at 400, although they are much less noticeable. Frequently, though, hand sanding is the only way to go despite soft padded sanding discs that conform to most curves. A power sander or a passive sander, which turns with the rotation of the lathe, equipped with the disc of the last grit used will eliminate any concentric scratches easily.

Oh yes, and a little safety reminder … when hand sanding always either wear gloves or wrap the abrasive around a protective pad (those green scouring pads work nicely) or your fingers will look like your pet schnauzer used them as chew toys.

Next time … Grain fillers & Sealers. – J. Lewis

You can check out some of Jack’s lathe-turned pieces at http://www.heart-of-the-wood.artistwebsites.com

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The “Wet” Look

The “Wet” Look.

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